L’esperienza estetica come soglia della percezione. Il museo Schneiberg di Torino1


 Considering the case of recent creation Schneiberg Foundation in Turin, an antique Chinese artworks installation historical building, this paper tries to produce a philosophical interpretation both and installation, underlines investigate attempt project overcome distinction between spectator his object, involving viewer non- dualistic experience through which he is able own performance that way create immersive that, like alchemical process, transforms perception object perception. This text intends also highlight how strictly symmetrically connected nature, meaning aim objects, i.e. imperial carpets provided for performative transformation their spectator. The create, end, meaningful visit space collection.